why is a crotchet called a quarter note
Each music note written on the stave has a duration (length) as well as pitch. It is the
design of the note that tells you its duration, in the same way as the position on the staff tells you the pitch. So each music note on a stave gives you two pieces of information, pitch and duration. This page focuses on the duration of each note. In order to fully understand note lengths become familiar with the rhythm tree. The rhythm tree shows how the notes are related to each other. Although the whole note is the longest note we generally use today, as is hinted at by the UK name there used be a note called a Breve. This is known as a Double Whole note in the US. The double whole note (breve) divides into 2 whole notes (semibreves) following the pattern of the other notes in the Rhythm Tree. The Double Whole note (Breve) is therefore worth 8 quarter notes (crotchets). The Double Whole note (Breve) fell out of use as smaller value notes were invented by composers. It can be notated as an open rectangle or a whole note with bars either side. and how our modern system of music notation developed. Make sure you have a few spare moments though as once you start reading the history of the music note it's difficult to stop! The Whole note is the longest music note in general use today. It is an open note with no stem. I always say to my students it looks like a holeso it is easy to remember!
The duration of the whole note is 4 quarter notes. The Half note duration is 2 quarter notes. It differs from the whole note in that it has a stem, although it is still open. For students I liken this stem to the line in the middle of the m. This also helps them remember that 1 half note is worth 2 beats (in 4/4 timing, which is what they are usually working in when learning this). The quarter note has become the de facto standard 1 beat music note. This has happened as the 4/4 time signature is the most popular (with 3/4 and 2/4 following close behind) and quarter notes have a duration of 1 in these time signatures. It is also roughly in the middle of the most used notes in the, making the quarter note the ideal candidate for ensuring whole notes don't become too long to count, and shorter, popular notes such as eighth and sixteenth notes aren't impossible to count in terms of them being fractions of a note. The quarter note changes from the half note as it is filled in, as opposed to empty. The eighth note is worth m of a Quarter note. It may also be considered as a one beat note in 3/8 and similar timings, the 8 on the bottom of the time signature giving the clue that you are counting in eighth notes. This is the first note in the rhythm tree to have a flag. The flag is the name for the 'tail' added to the eighth note.
Eighth notes may be a single as shown on the left, or joined together with beams. It is common to see eighth notes joined into sets of 2 to make one beat. Eighth notes may also be grouped in 3s, 4s, 5s, or even 6s depending on the time signature. Remember, however, that no matter how many eighth notes are joined, each one is worth half a quarter note. The Sixteenth note is worth l of a Quarter note. It may be beamed together in the same way as the eighth note. It changes from the eighth note by having an additional flag. Look at the picture and you see a double flag at the top of the stem. This is how you tell a note is a sixteenth note. Sixteenth notes may be beamed together in the same way as Eighth notes. When you see sixteenth notes beamed together each note has a double flag. Here is an example of 4 Sixteenth notes beamed together, they are also common in groups of 2. Eighth and sixteenth notes (and other music notes with flags) may be joined together. The key to knowing which note you are dealing with is very simple look at the number of beams joined to the stem of the note. By counting the beams joined to the stem of the note you will always know what type of note you are looking at. In the examples below you can clearly see how this works. This is a note grouping that often confuses people, but it needn't! It is simply 1 Sixteenth note (2 beams on the stem) joined to an Eighth note (1 beam on the stem) joined to another Sixteenth note (2 beams on the stem! ) all add up to 1 Quarter note!
This is the point at which it becomes more fun to learn the UK music note terminology! The thirty-second note has 3 flags and may also be beamed together in the same way as the Eighth and Sixteenth notes. As a young music student I never tired of the name hemidemisemiquaver, and for this, if nothing else, I am glad I learned the UK version of the note names rather than the US version. Hemidemisemiquaver just sounds so much more fun than Sixty-fourth note! The Sixty-fourth note has 4 flags and is the shortest note in general notational use. It may also be beamed together. The name hemidemisemiquaver actually makes sense if you look at it. Each part of the name is the word for 'half' in Greek (hem), French (Demi) and Latin (Semi). So a hemidemisemiquaver is half of a half of a half of a quaver (eighth note). i. e. , a Sixty-fourth note! New Book Now Available! For more help check out my new theory book Essential Music Theory: Learn To Read And Appreciate Music Vol. 1 available for iPad and Mac OS. The beauty of this book is that it doesn't just contain enless written examples. It contains audio and video files that support the theory, so you can actually hear musical examples that help you understand the concepts.
Volume 1 is for complete beginners and teaches you to read music from scratch through ABRSM Grade 1 and Grade 2 theory. Volumes 2 and 3 coming soon!. Or get it on the iBooks Store! Disclaimer All content on this website, including dictionary, thesaurus, literature, geography, and other reference data is for informational purposes only. This information should not be considered complete, up to date, and is not intended to be used in place of a visit, consultation, or advice of a legal, medical, or any other professional. Time is measured in sound and silence, sound in notes and silence in rests. Total time is calculated by adding the notes and rests. Two quavers equal a crotchet. Four crotchets equal a semibreve. Eight quavers equal a semibreve. This music plays for 16 crotchets. How long is 16 crotchets in seconds? See Tempo later in this book of Time. If you are learning to read music for the first time, it might help to see the notes in pictures. Clap your hands to the beat. Tails are beamed to the beat. Here are some examples. Here are some more complex patterns. In these patterns the beat is equal to a crotchet, so you can count up to the value of a crotchet under every beam. Remember, we beam the beat. Beam (beat) 1. Quaver - Semiquaver - Semiquaver Beam (beat) 2. Semiquaver - Semiquaver - Quaver Beam (beat) 3. Semiquaver - Quaver - Semiquaver
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